Every Monday, I send an private e-mail to my Dream Year participants. In celebration of the Dream Year website and short film premiering later this week, I'm sharing today's article with you...
You may have thought you were dreaming big, but you're only dreaming as
big as your experience will let you. The past has conditioned you for
the size of your idea. Everything you’ve experienced in life has
amounted to the scope and the scale of your dream.
If you’re
intimidated, scared or frightened, it’s because you’ve never done
anything like this before.
You haven’t been exposed to it.
Let
me be frank with you. There are people out there doing exactly what you
want to do who are not challenged by it at all. They’re not intimidated
or overwhelmed, stressed out or worried. Your dream comes naturally to
them because their background is vaster than yours. Or perhaps they have
more exposure than you.
This is the advantage of princes.
They grew up in the castle. They understood how the kingdom was run.
Leading an empire is no big deal to them because they grew up watching
it being done. It has nothing to do with their capabilities. It has
everything to do with their conditioning.
When Sylvester Stallone wrote the movie
Rocky
and insisted on playing the lead role, it was no real stretch for him.
His mother was a women’s wrestling promoter. Sylvester grew up around
gyms, locker rooms and fighting rings. He intrinsically understood the
fighting sub-culture. As for the slurred speech that made his character
so unforgettable – blame it on a forceps mishap during his childbirth.
He was made to write and play that role.
It happens in every
field. Even ministry. When Ed Young Jr. was invited to lead Fellowship
Church in Grapevine, Texas, he wasn’t stepping into unfamiliar
territory. His father, Ed Young Sr., had been leading one of Houston’s
largest mega-churches for decades. The same goes for Andy Stanley,
Priscilla Evans Shirer, Joel Osteen, and Matthew Barnett.
Look
at the sons and daughters of notable leaders. They enjoy the advantage
of princes. It’s not just influence that comes with being related; it’s
the exposure. They lack the fear and intimidation of operating at a
higher level because it’s a normal way of life for them.
While
you and I were born with steep learning curves, they were born with
open terrain. They’re used to balancing checkbooks with more zeroes in
them. They know how to operate the equipment. Their business
relationships already existed. Their blood pressure doesn’t rise at the
little things that would otherwise stress us out.
When I think
about the advantage of princes, it makes me want to pave the way for my
kids. I want to face steep learning curves so they can launch out with
familiarity and confidence. I want them to grow up around the “locker
rooms” and “gyms” of my industry. The things I do will become second
nature to them.
For years, I’ve wanted to write and produce a
feature-length film. Writing is not hard for me. I’ve been a short story
writer, an advertising copywriter, a newspaper reporter, a magazine
columnist, a blogger and a book author. I write at least 2,500 words
every week of my life.
But there has always been one
impenetrable barrier for me to write a film – the format and structure
of a screenplay. I’ve never been able to make sense of the Courier
typeface, the three-act structure, the cryptic abbreviations from scene
to scene, and words like “log-line.”
Until now.
For
the past year, I’ve read every book on the subject of
screenwriting I could get my hands on. I’ve ordered original screenplays
to study and rented classic movies to analyze the structure. At first, I
was re-reading chapters over and over until I understood the
terminology. And I nearly gave up on several occasions. But I broke through a wall.
Now I can tell you exactly the “inciting incident” and “key incident”
in any movie you name, not to mention the midpoints, the plot points,
and where exactly act one breaks into act two and so on. This wasn’t
just a wall for me; it was a wall for my kids. Now they’ll grow up
around film sets too. In 2011, I plan to write and produce my first
feature-length film.
Can you imagine growing up in the home of
renowned film director Francis Ford Coppola? You’d probably know a
thing or two about filmmaking by the time you were 16 years old. This is
exactly what happened to Francis’ daughter Sofia. She has gone onto
write and direct several movies, including the Academy Award winning
film Lost in Translation. Making great movies became second nature to her.
You may not have been born with the advantage of princes. But you can
certainly defeat learning curves now and pass along the advantages to your
kids.
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